Evaluating Drawings · 评估绘画
| English | 中文 | Pinyin · 拼音 |
|---|---|---|
| critique/krɪˈtiːk/ | 评图 | píng tú |
| visual evidence/ˈvɪʒuːəl ˈevɪdəns/ | 视觉证据 | shì jué zhèng jù |
| revision/rɪˈvɪʒn/ | 修改 | xiū gǎi |
The four-step critique
- Critique 评图 — of your own and others' work — is how an investigation steers (CED 1.D).
- Use the ladder: describe, analyse, interpret, judge.
- It keeps opinions grounded in what is actually visible.
四步评图
- 评图(critique)——评自己和别人的作品——是探究转向的方式（CED 1.D）。
- 用阶梯：描述、分析、解读、评判。
- 它让观点扎根于真正看得见的东西。
The four-step critique ladder is describe, analyse, interpret, and . · 四步批评阶梯是描述、分析、诠释和。
Describe → analyse → interpret → judge. · 描述 → 分析 → 诠释 → 评判。
"I like it" is a complete critique. · “我喜欢它”就是一个完整的批评。
It points at no visible evidence and no action. · 它既没有指向可见的证据，也没有提出行动建议。
Point to visual evidence
- Speak the AP language: point to visual evidence 视觉证据 of skills, materials, processes, ideas.
- Ask one focused question per critique ("does the focal point read?"), not "is it good?"
- Create distance to self-critique: turn it upside down, use a mirror, photograph it small.
指向视觉证据
- 说AP的语言：指出技能、材料、过程、想法的视觉证据(visual evidence)。
- 每次评图问一个聚焦的问题（"焦点读得出来吗？"），而不是"好不好？"
- 给自我评图制造距离：倒过来看、用镜子、拍成小图。
Which critique step? · 这是哪个批评步骤？
Sort each statement into a step of the four-step critique. · 将每个陈述归入四步批评法的某个步骤中。
Select all · 所有 ways to create distance for self-critique. · 选择所有创造自我批评距离的方法。
Distance means seeing it fresh, not avoiding it. · 距离意味着以全新的眼光看待它，而不是逃避它。
Critique drives revision
- Written reflections after critiques become drafts of your Sustained Investigation writing.
- Revision 修改 decisions born from critique are exactly the development the rubric wants.
- A critique that changes nothing was not really a critique.
评图驱动修改
- 评图后的书面反思成为持续探究写作的草稿。
- 由评图产生的修改(revision)决定，正是评分标准想要的推进。
- 什么都没改变的评图，不算真的评图。
A critique that leads to changing a work drives . · 能促使修改作品的批评推动了。
Critique → revision is the development loop. · 批评 → 修改是发展的循环。
Match the phrase to its critique step. · 将短语与其批评步骤匹配。
Evidence first, decision last. · 先证据，后决定。
"I like it / I don't like it" is not a critique — it gives you nothing to act on. Force every judgement to point at visible evidence: which mark, which value, which edge made you say so.
"我喜欢/不喜欢"不是评图——它没给你任何可行动的东西。逼每个判断都指向看得见的证据：是哪个笔触、哪块明度、哪条边缘让你这么说。
Instead of "the portrait feels off", the four steps give: describe — the left eye sits higher; analyse — it breaks the eye-line; interpret — the face looks unsettled; judge — lower it 3 mm. Now you know exactly what to revise.
不说"这张肖像感觉不对"，四步给出：描述——左眼偏高；分析——它破坏了眼线；解读——脸显得不安；评判——把它降低3毫米。现在你确切知道要改什么。
Critique steers investigation via describe → analyse → interpret → judge, always pointing to visual evidence. Its written reflections feed your portfolio writing, and its decisions drive revision.
评图通过描述→分析→解读→评判引导探究，始终指向视觉证据。它的书面反思滋养作品集写作，它的决定驱动修改。